Piper & Nude 1948
Lithograph
From Ronsard. Florilege des amours
Size 38x28 cm
Ref.: Duthuit no.25 p206 Price: £ 1,950- St James Art
Woman with Ruffled Shirt 1948
Lithograph
From Ronsard. Florilege des amours
Size 38x28 cm
Ref.: Duthuit no.25 p212 Price £ 2,400- St James Art
Le Repos Du Modele 1922.
Lithograph on Chine Volant Paper. 10.75 x 14.25 in. Price US$3,800
Art Brokerage
ODALISQUE AU MAGNOLIA 1923 Not Sold
Est: 25,000 EUR
Size: 11.4 x 15.7 in
Lithograph on firm Japon Signed
Edition: 46/50
Modern Art Auction
at Ketterer Kunst
Jun. 04, 2011
NU ASSIS, BRAS GAUCHE SUR LA TÊTE 1926 Not Sold
Est: 11,000 EUR
Size: 17.3 x 20.9 in
Lithograph Signed
Edition: Trial proof one of 6
Modern Art
at Ketterer Kunst Munich Jun. 04, 2011
ESPAGNOLE À LA MANTILLE 1925 Not Sold Est: 18,000 EUR
Size: 15.5 x 10.9 in
Etching and aquatint in colors on wove Arches paper
Signed
Edition: 184/200
Modern Art
at Ketterer Kunst Munich Jun. 4, 2011
Monique 1943
Dimensions: 19½ x 12 5/8 in.
Pen and India ink on paper
Edition Number: 12/45 Signed
Estimate: 70,000 - 100,000
Christie's King Street
Jun 22, 2011
DESSIN À LA PLUME (FLEUR DE LYS) 1941
Estimate 15,000 - 20,000 GBP Dimensions: 8 x 10½ in
Pen and India ink on paper Signed
The Jeffrey Archer Sale at Christie's South Kensington
Jun. 28, 2011
LES NUAGES BLANCS, VIEUX PORT DE MARSEILLE 1918
Estimate 80,000 - 120,000 GBP
Dimensions: 10½ x 13 7/8 in.
Oil on panel Signed
Impressionist/Modern Day Sale
at Christie's King Street
Jun. 22, 2011
Matisse was born the son of a middle-class family, he studied and began to practice law. In 1890, however, while recovering slowly from an attack of appendicitis, he became intrigued by the practice of painting. In 1892, having given up his law career, he went to Paris to study art formally. His first teachers were academically trained and relatively conservative; Matisse's own early style was a conventional form of naturalism, and he made many copies after the old masters. He also studied more contemporary art, especially that of the impressionists, and he began to experiment, earning a reputation as a rebellious member of his studio classes. Matisse's true artistic liberation, in terms of the use of color to render forms and organize spatial
planes, came about first through the influence of the French painters Paul Gauguin and Paul Cezanne and the Dutch artist Vincent van Gogh, whose work he studied closely beginning about 1899. Then, in 1903 and 1904, Matisse encountered the pointillist painting of Henri Edmond Cross and Paul Signac. Cross and Signac were experimenting with juxtaposing small strokes (often dots or “points”) of pure pigment to create the strongest visual vibration of intense color. Matisse adopted their technique and modified it repeatedly, using broader strokes. By 1905 he had produced some of the boldest color images ever created, including a striking picture of his wife, Green Stripe (Madame Matisse) (1905, Statens Museum
for Kunst, Copenhagen). The title refers to a broad stroke of brilliant green that defines Madame Matisse's brow and nose. In the same year Matisse exhibited this and similar paintings along with works by his artist companions, including Andre Derain and Maurice de Vlaminck. Together, th,of emotionalism in which they seemed to have indulged, their use of vivid colors, and their distortion of shapes.
masterworksfineart
BBC - Modern Masters: Henri Matisse - Documentary - Modern
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Henri Matisse (1869-1954)
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Matisse was born the son of a middle-class family, he studied and began to practice law. In 1890, however, while recovering slowly from an attack of appendicitis, he became intrigued by the practice of painting. In 1892, having given up his law career, he went to Paris to study art formally. His first teachers were academically trained and relatively conservative; Matisse's own early style was a conventional form of naturalism, and he made many copies after the old masters. He also studied more contemporary art, especially that of the impressionists, and he began to experiment, earning a reputation as a rebellious member of his studio classes. Matisse's true artistic liberation, in terms of the use of color to render forms and organize spatial
planes, came about first through the influence of the French painters Paul Gauguin and Paul Cezanne and the Dutch artist Vincent van Gogh, whose work he studied closely beginning about 1899. Then, in 1903 and 1904, Matisse encountered the pointillist painting of Henri Edmond Cross and