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Louis Icart (1888-1950)

Spilled Apples

Cachet a froid du moulin de la Galette 1928

Eau-Forte et Pointe Seche

Dimensions: 53x34 cm, 20.75x13.5"

French School, Signed

Copyright on top left: 1928 Louis Icart, Paris.

Some repair requited

 

Sales Price $750

or best offer

View similar works by Icart:
   
Spilled apples 1928
Signature : sig.
Etching and aquatint
Dimensions : Cm : 51 x 34
Inch : 20 1/8 x 13 3/8
Freeman Fine Arts, Philadelphia
Sold : 750 USD
Spilled Apples; La Panier Renverse 1928
Etching and aquatint
19 5/8" by 12 1/2"
Signed Louis Icart
O'Gallerie
2009
Sold for $900
Lot 7168
SPILLED APPLES 1928
Sold for 1,140 USD
Size 7.82 X 10.93"
Etching and aquatint with touches of handcoloring
Signed
Sunset Estate Auction
at Bonhams & Butterfields
, Los Angeles
Oct. 21, 2007
   
More Icart comparisons:

Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950.. He entered the l’Ecole Supérieure de Commerce de Toulouse in order to studies for a career in banking (his father’s profession).

Icart soon discovered the play writings of Victor Hugo (1802-1885). Overwhelmed by the tales of romantic imagery and the dilemmas of the human condition, he developed a taste for all the arts, It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless etchings, which have served preserve his name in twentieth century art history. Art Deco had taken its grip on the Paris of the 1920s, and by the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era, and Icart became the symbol of the epoch. Icart worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In 1914 Icart had met Fanny Volmers, at the time an employee of the fashion house Paquin. She would eventually become his wife and a source of artistic inspiration for the rest of his life. Icart’s portrayal of women is usually sensuous, often erotic.

 


 

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