Paradise. Original color
lithograph, 1960. 50 signed and numbered impressions plus 6500
unsigned impressions for Verve. Early commentators suggested
that before the Fall, Adam and Eve were truly one flesh, separate but
joined.
In this lithograph, Chagall depicted the biblical theme
of the fall of man. Adam and Eve are resting under the tree of
knowledge of good and evil. They are "one flesh" (Genesis 2,24), that
is they became one. This implies that they belong together. In Hebrew,
they are called "Adam and Adamah": Man and woman, on a par with each
other. But they rebel against God, their creator, they want to be like
him. By doing so, they put themselves in his place and this is their
real blame. In this work, Eve grabs one of the forbidden fruits which
shine nice and red. The greening tree is full of them, and just one
less won't be noticeable...? Adam is still asleep, just like he is not
"awake" when he takes the fruit from Eve and bites into it. He does
not become aware of the consequences of their doing.
The waxing moon shines mysteriously in the upper left-hand corner. In
the right-hand corner, we can see a winged creature with a human face.
Paradise has lost its blaze of colours, and only the tree of knowledge
of good and evil shines in a promising green.
In 1956, the French art critic and publisher Tériade
brought out a special issue of the legendary art magazine Verve, which
was exclusively devoted to one of Marc Chagall's major themes: The
Bible. For this outstanding issue, Chagall composed 18 full-page
colour lithographs and 12 in black and white. For his "Bible I" Marc
Chagall focused on characters from the Old Testament such as the
Founding Fathers, the Kings, the Prophets and Angels. Four years
later, in 1960, the follow-up issue "Illustrations for The Bible" was
published, with another 24 gorgeous color lithographs.
Artist's Home
Chagall is
one of the most successful artists of the twentieth century. He
came from a large and devout Jewish family. Born in the small
Russian town of Vitebsk,
Chagall
studied art in St. Petersburg and Paris. In 1923,
Chagall fled
the Soviet Union and settled in France where he began working with the
Parisian art dealer and publisher Ambroise Vollard.
Chagall’s approach to the Bible is one that focuses on the intense
encounters between God and humanity. Each image tells the story
plainly and poignantly. Curator Jean Bloch Rosensaft, of the
Jewish Museum in New York notes that the series “brings together the
mature artist’s spirituality and childhood’s fantasy through the
sophisticated artistry of the master
printmaker.”
By FCMOA
"Ever since my earliest youth I
have been fascinated by the Bible. I have always believed that it is
the greatest source of poetry of all time...The Bible is an echo of
nature, and this I have endeavored to transmit.... In art everything
is possible, so long as it is based on love." Chagall
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